Blog: U.S. Election 2016


De leden van de BKB Academie zijn in de Verenigde Staten voor een campagne trip. Ze leren campagnevoeren tijdens de ‘moeder aller campagnes’, de politieke campagne in de Verenigde Staten van Amerika. Vanuit dit BKB programma, bloggen de BKB leden de komende twee weken.

Vanuit Boston reist de BKB-Academie naar New Hampshire, waar ze de laatste dagen voor de primary rondlopen, spreken met journalisten, kiezers, vrijwilligers en een kijkje nemen bij de campagnes van Clinton, Sanders, Cruz, Trump, Rubio & Christie. Vervolgens vliegen ze door naar Washington DC, waar ze op bezoek mogen bij onder andere Politico,The American Enterprise Institute, 270 Strategies, Emily’s List, en . Al deze avonturen zullen te volgen zijn via deze blog.

Lees de blogs hier terug:

bkbDag 1: Sneeuw, vlaggen en D.G.G.C. 
Als glazuur op de donut is alles bedekt met een laagje sneeuw. Oh, Amerika :).’

Local, Global: De rally van Ted Cruz in New Hampshire 
Maar laat je niet misleiden door de gewone man van New Hampshire.’

Uitslagenavond: Een dollemansrit naar Warren Road, Concor
‘Bernie! Bernie!’

Algoritmes met macht
Informatiebronnen hebben nu eenmaal
een enorme invloed op kiesgedrag.’bkbb

Emily’s List – Likeable and strong!
Je moet concreet duidelijk maken wat de meerwaarde is van een vrouwelijke kandidaat.’

‘The Heroin Apocalypse’
De groeiende ‘opioïden epidemie’ benadrukt op pijnlijke wijze dat het drugsbeleid in de VS inadequaat is.’

Doe maar gewoon, dan doe je al gek genoeg
Je creëert hierdoor een bewuste, betrokken kiezer.’

De schrik van links Amerika
‘En Republikeinen die in de ogen van een Nederlander een redelijk verhaal hebben, dat is bijzonder.’

bkkkbWaarom we moeten stoppen met het organiseren van verkiezingsdebatten
May the best man win.’

De dag waarop oranje groen werd
De opwarming van de aarde bestaat niet’

The BKB campaign trip – in quotes
‘The Republicans have adopted a suicide strategy and that is to be a party of whites.’ 

Met dank aan BKB.




New Amsterdam Stories: Part Three



New Amsterdam Stories’ is a project and weblog. Guided by scholars from the New Netherlands Institute (Albany, NY),  it makes original documents found in both the New York Municipal Archives and the Stadsarchief Amsterdam (the Amsterdam City Archives) available to the general public for the first time. It highlights the individual stories of the people of New Amsterdam, by combining information that has been found on both sides of the Atlantic Ocean.

For this final installment of a three part blog series, The John Adams Institute talked with Ellen Fleurbaay, head of Presentation and Participation at the Stadsarchief Amsterdam, to hear about the Amsterdam side of this project. You can read the first part here, and the second part here.

By Veronica Baas

New Amsterdam Stories is a project carried out by three different partners: the New York City Municipal Archives, the New Netherland Institute and the Stadsarchief Amsterdam.  It came about when Jan Kennis, cultural attaché at the Dutch consulate in New York, realised that both the New York Municipal Archives and the Stadsarchief were unlocking their archives, and recording what is inside the documents they have filed away. Nowadays, this also means that the contents of these documents are digitized. The Stadsarchief has a variety of archives, from personal ones bestowed to the Stadsarchief to civil registration. One of these archives is particularly interesting to the New Amsterdam Stories: the Notarial Archives, which the Stadsarchief is currently unlocking.  People would go to a notary to sell their house or to make a will: anything that needs official approval. Because these documents have always been legally binding, almost all of them have been saved. This means that the amount of documents we are talking about is huge. The exact number is not yet known as they have yet to be unlocked, but our estimation is that the Notarial Archives contain at least 20 million notarial deeds.

This project is challenging not just because of its sheer size, but also because of the difficulty of researching these archives. The problem is that all the deeds have been stored away in chronological order. There is no system based on the content of the documents, so a sales contract can be stored away next to a will. For centuries, notaries were filing away their records on a day-to-day basis, unfortunately without keeping in mind future archivists.

In the 1950s and 1960s, archivists were put to the task and made an effort to structure the documents. Groups of up to thirty archivists have worked on this for almost three decades. Even after all those years, they still had done only seven percent of the archives. This means that as of now, 93% of the contents of the Notarial Records is still unknown. The good news for the New Amsterdam Stories is, however, that there has always been a strong focus on New Amsterdam. As the archivists were trying to order the documents they were going through, they had to make choices in their categorization. New Netherland has always been labelled, and now 6,000 documents are known to be related to the settlement. That is a lot for only seven percent, and it shows how keen the archivists have always been on the topic.

In the process of making a Story, the archivists of the New York Municipal Archives pick which individual they want to focus on, in consultation with Dennis Maika, the guiding historian from the New Netherland Institute. They will then send all the details they have to the Stadsarchief, such as the name – or names – of people closely associated with them, dates of birth, dates of arrival in America, dates of death. At the Stadsarchief, the old card system will be used to go through those seven percent of known documents, hoping to find a match.

Stadsarchief Amsterdam

Stadsarchief Amsterdam

In the meantime, the Stadsarchief continues to unlock the rest of those 97% of Notarial Archives. Luckily, the process goes much faster now due to digitization, which has so many advantages: it becomes much easier to research the documents, and in turn people can access these documents online. But before the records are presented to the general public, we ask those very same people to support the project: the majority of the funding is expected to come from crowdsourcing.

For the first step, professionals are definitely needed. The Stadsarchief hires a scanning company that can scan up to 3,000 documents a day. Together with experts from the Stadsarchief, they know how to handle these very old documents. After the documents are scanned, they are uploaded on a platform. This platform, attached to the website, is an independent platform developed by the Stadsarchief a couple of years ago. The Stadsarchief does not have the capacity to host such a platform, and furthermore, many other archives in the Netherlands can now make use of it. So, after the documents have been uploaded on this platform, they are handled by a group consisting mainly of volunteers, who are the main engine of the project. As of now, 15.000 records have been indexed.

The volunteers often wonder if they deliver sufficient quality work, and the answer is that they actually do. Some of these volunteers are unbelievably dedicated. Once, on a different project, the Stadsarchief was identifying photographs from the 19th century. A volunteer cycled around the Amsterdam canals for weeks until he could locate a detail on a staircase. Even the most dedicated professional would seldom go to such lengths to acquire information.

nasssOnce the documents have been uploaded, the volunteers sort them by topic and type them out. With birth and death registrars, there are two volunteers who type out the same names, as 16th and 17th century handwriting can be tricky. Then, a computer compares the results and, if any differences are found, a professional will take a look at it. Since this project encompasses some 20 million documents, the project is happy with all the manpower it can get.  Not all the volunteers who sign up actually are up to the task: of the few hundred people who participate in a project, about twenty percent gets the job done. This is a dedicated core group who make sure that the quality of the end result is at least as high as it would be if professionals had done the job. All the documents that are typed out and sorted become accessible online. On the website of the Stadsarchief, popular topics have their own heading. New Amsterdam is definitely one of these topics, so all newly-digitized documents can be viewed there (in Dutch). Of course, these documents can also provide content for the New Amsterdam Stories.

These Stories will paint a more complete picture of New Amsterdam. The aim is to make the archives accessible for people who would otherwise not so easily delve into it. The Stories will be successful if they help people, for example by getting them to enjoy history. This is the case for archives in general: there are many people for whom archives can play a vital role in their lives, ranging from those who are able to identify their parents, or who can trace their lineage much further into history, as is evident for those with ancestors from New Amsterdam. Archives tend to have a stuffy image, but actually they are simply about information and people’s life stories: about making information available to the public. The entire Internet is about information, and the Stadsarchief has millions of documents full of information. Think of all the stories it contains! I truly believe that archives are one of the most interesting branches of the cultural sector.

Read the first part here, and the second part here


New Amsterdam Stories: Part Two




New Amsterdam Stories’ is a project and weblog. Guided by scholars from the New Netherlands Institute (Albany, NY),  it makes original documents found in both the New York Municipal Archives and the Stadsarchief Amsterdam (the Amsterdam City Archives) available to the general public for the first time. It highlights the individual stories of the people of New Amsterdam, by combining information that has been found on both sides of the Atlantic Ocean.

For this second installment of a three part blog series, The John Adams Institute talked with Dennis J. Maika, Senior Historian with the New Netherland Institute, who is one of the scholars who guides the project.

By Veronica Baas

New Amsterdam Stories’ is a collaboration between the New Netherland Institute, the New York City Municipal Archives and the City Archives of Amsterdam. Records from these archives are disclosed on the website, telling stories about individuals that dwelled in New Amsterdam. In those early days the ties with the colonists’ homeland, the Dutch Republic, were still very strong. This means that documents about single individuals are often found in both archives. The project tries to tell a (more) complete story by combining information from both archives in one place.

The project tries to reconstruct the lives of individuals in New Amsterdam by showing snapshots of their lives. While the story of someone’s life can never be completely traced through an archive, putting the pieces of the puzzle together might give us a glimpse into that life. For the first phase of the project, all three institutions decided to focus on residents whose records were definitely available in both archives. After selecting the individuals, the archives dug up the relevant records about these early city dwellers. This process was guided by dr. Maika, who works as a historian for the New Netherland Institute, a non-governmental organization that ‘aims to cast light on America’s Dutch roots’. This project is one of the efforts to reach that goal, and also attempts to answer the question that preoccupies all archives: how can we offer this information to the general public?

Public participation and engagement has changed over the last few years, as the wind of digitization is blowing even through stuffy archives all over the world:  the New York City Municipal Archives and the Stadsarchief Amsterdam are both digitizing. Thanks to this process, documents that had been put away somewhere in the endless rows of filing cabinets are now just one click away.

Surragate' Court, where NYCMA's records are held

The New York records are held in Surrogate’s Court

The archives want to share this information with the world, and the New Amsterdam Stories are an answer to this huge task. Archive visitors need to be guided in order to wade through the wealth of information available. At the start of this project, it was clear that putting individuals in the spotlight would be the key to achieve this. Individuals are an easy entrance for the public, but they are also an easy entrance for the archivists. Individuals can be traced. They show up in court records; they leave records with their notary.

The Amsterdam notaries, held at the Stadsarchief, are the core of this project. Before there were lawyers, people needed notaries to draw up any record that they would want to hold up in court, such as wills, marriages, sales contracts, business contracts, indentured servitude contracts, debt obligations. All these records have been kept by these notaries, and ended up in the archives. The collection is incredibly rich and representative of that time, because almost everybody used a notary (you did not have to have a lot of money to still want to take good care of your business and life affairs). In combination with the New Amsterdam court records, which are held at the New York City Municipal Archives, so much can be discovered about the early residents. These records are truly a treasure trove, filled with known and unknown stories.

One of the most well-known individuals of New Amsterdam was Petrus Stuyvesant. Of course, a Story had to be written about him, but it should not be the obvious story of him as the last director-general of New Netherland, or about how he lost his leg: this project should tell the story that is in the records. The records contained his will – not his final will, but one that he had drawn up when he was only 29 years old. He was about to leave for the Caribbean, where he would serve the Dutch West India Company. He bequeathed all his belongings to his sisters Anna and Margriete, and in case they would die, to their children. While this might not appear as the most exiting story, it does tell something about him as one reads between the lines. It tells us that he might have been afraid to die; he was most definitely aware of the dangers involved in a voyage across the ocean. In those days, many did not return from these long missions, but not everybody was ready to face that. Petrus Stuyvesant was. The will is not especially interesting because of its contents, but because he made it when he did: at such a young age, and about to travel across the Atlantic Ocean.

However, not everybody in the Stories is as famous as Stuyvesant. For this first phase, the project tried to select a limited cross-section of the population. This is why the Story of Anna and Wolfert Webber is included. Although they are not famous historical figures, they are still of historical significance. They represent typical settlers, whose lives are little known, yet nonetheless important to the city. They seemed to be average people living an average life. However, records with information about the couple can, and were found on both sides of the Atlantic Ocean. The earlier records are located in Amsterdam, like their Prenuptial Agreement, and their Notice of Marriage, in 1630. There is also their Authorization to leave for New Netherland, which they received in 1649, so quite a few years after their wedding. Then, in the New York City Municipal Archives, there is a record of a court case on August 9, 1655. Anna is testifying in court against Jan Willmsen Iselsteyn van Leyden, claiming that he called her a whore and beat her with his gun and a crowbar. A year later, Anna had to appear in court again, because there was a dispute over two bibles. She states they are hers, because they were given to her daughter by Indians who captured her in the 1655 ‘Peach War’. The daughter had carried them throughout her captivity, which lasted for several months. The original owner stated that the Indians had no right to give them away, because they had stolen the bibles from her when she had just arrived in Manhattan; now she wanted them back from Anna. The court’s decision is revealed in these records. Together these two archives bring Anna and Wolfert Webber alive: living a life on two continents.

Genealogy is very important to many people, and this is one of the reasons individuals are such a good entrance point into archives. So many people are interested in their heritage, but the threshold is high. By digitizing the records, it becomes possible to search them, but it is still difficult. As of now, the project does not allow individuals to search for family records yet- but it is definitely a long-term goal.

One of the reasons it is so difficult to access the records is that you have to read Seventeenth Century calligraphy, written in Seventeenth Century Dutch. After the digitization, the document is typed out, but even then it requires skill to fully comprehend it. In a later phase, full transcriptions of the original documents will be provided, as well as complete translations into English. But for now, the format of the Stories should make these documents more accessible. A summary of a document’s content is provided, so visitors can look at the document and understand it, even if they cannot literally read it.


A map of New Amsterdam, where its wall can be seen.

The Stories can open up history for a bigger audience, and their potential should be maximized. Potentially, this project will also expand beyond focusing on individuals. For example, telling the stories of major events that happened in New Amsterdam, such as the wall that was built to shield the settlement. This wall was built on what would be called Wall Street – which is obviously still there.

Hopefully, these Stories are only the beginning of a larger and long-term project. However, there is always the question of funding.  During the first phase, three organizations have funded the project: Amsterdam-based Dutch Culture, which gets its funding from the Dutch government, the National Archives in The Hague, and Dutch Culture USA, which is basically the Dutch Consulate in New York. The Dutch Consulate, and in particular cultural attaché Jan Kennis, was instrumental in this project. Mr. Kennis was familiar with the New Netherland Institute, and when he heard that both the Stadsarchief Amsterdam and the New York City Municipal Archives were digitizing their archives, he immediately saw the potential. It took about two years, but now the Stories are actually published on the website. Partial funding for the second phase has just been received from Dutch Culture USA, but funding for the long-term future needs to be secured.

It would be great if this collaboration continued. This compelling project demonstrates the importance and significance of a shared cultural history between the Netherlands and New York. Or New Amsterdam, as it was called then. And if there is one thing that this project teaches us, it is that it is full of stories.

The next installment of this blog series will be published on December 19. You can read the first part, written by Russell Shorto here

New Amsterdam Stories: Russell Shorto




New Amsterdam Stories’ is a project and weblog. Guided by scholars from the New Netherlands Institute (Albany, NY),  it makes original documents found in both the New York Municipal Archives and the Stadsarchief Amsterdam (the Amsterdam City Archives) available to the general public for the first time. It highlights the individual stories of the people of New Amsterdam, by combining information that has been found on both sides of the Atlantic Ocean.

In this first installment of a three part blog series, Russell Shorto writes about his experience with the New Netherland archives.

Since the Dutch founded one of the original European colonies in America, and since its capital was none other than a little island called Manhattan, it might be reasonable to suppose that Americans would be brought up with the idea that “Dutch” is as much a part of their heritage as “Pilgrim.” But of course that isn’t true. People may have some inkling that the Dutch once fiddled around in New York. They might even know that it was originally called New Amsterdam. But they tend not to put the Netherlands alongside Britain as one of America’s cultural forebears.

One reason for that is contained in the truism that history is written by the winners. An English invasion force took over the Dutch colony of New Netherland in 1664. The English and the Dutch were at the time bitter rivals. The English, not to put too fine a point on it, hated everything Dutch. All the derogatory sayings in the English language involving the word Dutch-Dutch treat, Dutch courage, double Dutch–date to this period. One of my favorites of the many anti-Dutch pamphlets published in England in the seventeenth century has this for a title: The Dutch-mens Pedigree, Or, A Relation Shewing How They Were First Bred and Descended from a Horse-Turd Which Was Enclosed in a Butter-Box.

islandSo the English, once they took over Manhattan Island, weren’t about to give the Dutch credit for anything they had done there before. Nevertheless, they did take possession of the thousands of pages of official records of New Netherland, and they kept them. All conquerors do this, because it allows for continuity. Still, those records had a fitful existence. In 1685, after King James ordered a reorganization of the American colonies, the volumes were tossed onto a stagecoach bound for Boston; three years later they made the same rough trip back to New York when the new monarchs, William and Mary, reversed the ruling. Some volumes were lost on these journeys. In 1741, the fort where the records were housed was torched in what was held to be a slave conspiracy. The gatehouse burned, but the records were saved by a diligent secretary tossing them out the window. It was a blustery day, and many pages blew away, but the bulk of the records remained intact.

During the American Revolution the records spent a good deal of time on a ship in New York Harbor. Mold set in. Then they were shipped to England and spent the last portion of the war in the Tower of London. When they were returned, the secretary of New York State reported that they were “much mill-dewed and greatly injured.” But he tried to stop the damage, using state-of-the-art methods: he directed, he said, “my best endeavors to preserve them, having frequently exposed them to the sun and air, and several times had them brushed through every leaf.”

Then in 1818 the state decided that it ought to have a full English translation.  The man selected for this work—Francis Adrian van der Kemp, an elderly Dutch minister and former soldier who had emigrated to New York—translated all 12,000 pages, within four years, and despite the fact that he was going blind, and that his English was not very good. The result was a translation that was in a sense worse than worthless, for it was riddled with errors and yet it became the standard way for historians to learn about the colony. Eventually, mercifully, this translation itself burned up in a fire.

Then in 1974 a true and proper translation and publication effort got underway. The archives were now housed in the New York State Archives and Library, in Albany. Charles Gehring, a young American with a doctorate in Germanic linguistics with a specialization in 17th century Dutch, was hired for one year. Then another. Then another. In late 2016, he is still at it. He and Janny Venema, a Dutch historian who has been his transcriber for the past 30 years, have worked their way through more than half of the material. A community of historians and researchers have built up around the translation and publication effort of the New Netherland Institute. In 1999, the 12,000 pages of manuscript records of the Dutch colony were declared a national treasure by the U.S. Department of the Interior. Besides giving the moldy pages a belated dignity, the designation also came with funds to help preserve them.

dockI began my interaction with these materials in the year 2000. I had thought to write a magazine piece about the Dutch founding of New York; someone put me in touch with Charles Gehring. He suggested I come up to Albany the following month, when he would host his annual seminar on the Dutch colony. I did. After meeting with several of the people working on the material, I decided to write a book on the colony. Charles Gehring and Janny Venema cleared a corner of their office for me. They gave me access to the records, and help in deciphering them. I needed a lot of help, since the documents were written in 17th century Dutch (which is quite different from modern Dutch) and in handwriting that to the untutored eye looks something like a cross between Arabic and chicken scratch. I spent hours and hours in that corner of the office, occasionally looking out on downtown Albany but otherwise staring at the antique pages.

Fortunately, I didn’t have to rely on my own abilities to decipher them. Gehring and Venema had published at that time 18 volumes of translations. Plus, the two people who knew more about this material than anyone else on earth were right there, ready to answer questions. This was before Google, but it was better than Google. I was able to interact with these actual pieces of 300 year old rag paper, to get to know the various writers through their handwriting, and at the same time I had guides to it all.

What came through–what comes through for anyone who sits with this material and has the patience to work with it–is the human reality of this corner of the past. Up from the pages rise Peter Stuyvesant, Adriaen Van der Donck, Pieter Minuit, Catalina Trico, Joris Rapalje, and hundreds of other people who settled New York before it was New York. You come to know them. You know their secrets, their longings, their schemes. It dawns on you, over time, that the seething atmosphere they created–in which everyone is doing business, everyone is buying or selling beavers, everyone has a piece of the next voyage, everyone wants a piece of the action–has never left the island. The Manhattan they created is still there on paper. And it’s still there in the world’s most magnetic city.


Russell Shorto is an American historian, journalist and author. In 2004, he published The Island at the Center of the World: the Epic Story of Dutch Manhattan and the Forgotten Colony that Shaped America, for which he spent many hours in the New Netherland archives. Between 2008 and 2013, he lived in Amsterdam, where he was the director of the John Adams Institute.

The next two installments of this series will be published on December 12 and December 19.